2/28/2023 0 Comments Repeating gitbox guitar![]() ![]() In audio recording, compression is often used on drums to make the ring of snare and cymbals hold out longer. Release: determines how long the compressor takes to increase the signal to the level determined by the ratioįor the guitar, compression can have a few different functions: Ratio: determines the amount of gain reduction in respect to the threshold (3:1, for example, would mean that if the signal is 3 dB above the threshold, it will be reduced to 1 dB above the threshold)Īttack: determines the amount of time the compressor takes to reduce the signal to the level determined by the ratio Threshold: determines how much of the signal is being affected (lower threshold = more affected signal) How the compressor does this is determined by a few select parameters. Pete Thorn demonstrates various uses for a simple boost/compressor pedal in this demo of the Bogner Harlow.Ī compressor reduces the dynamic range of the input signal. This technique allows for some creativity on your part, so experiment with putting the boost before various effects and see what you can make happen. You can use this to your advantage to push an overdrive over the edge of breakup or raising the sensitivity/harshness of auto-wahs and filters. It's important to remember that when you use a volume boost, everything further down your effects chain gets hit with a stronger signal. Hitting other effects with a stronger signal Use a less subtle volume boost than previously mentioned to put a guitar solo in the forefront of the mix and to assure that every note is clearly heard. This is a fairly common use of the effect. It will give that extra bit of power you need to stay consistent, and will also result in a much more clear melodic sound than that which is provided by heavier picking. You're struggling to hear the lines you're playing, and there's a noticeable drop from the volume you had before.įortunately, there's an easy solution: have a boost set to slightly raise the level of those melodic lines to keep their volumes consistent with fuller chordal strumming. How many times has this happened to you: you're strumming on some power chords at a volume that feels great and well balanced with the band, and then when it's time for you to play a melodic line for the song, you find that no matter how hard you hit the strings, you've lost power. ![]() Keeping consistent volumes for melody/lead lines Their importance is frequently overlooked because of their simplicity, but they actually can be very effective in creating a dynamically effective performance. Nigel liked this guitar immediately as it had a great sound and feel at first touch.Boost pedals are quite simple in function: they provide a boost in your instrument's signal. The sturdiness and low price make it a great guitar to tour with."ĭoug loves this guitar because he can be as rough and risky as he wants with it, and it still rings like a bell and stays in tune. He is "thinking of trading her in" for a younger model, or maybe something older! Scandalous!ĭoug plays a beautiful Eastman PCH1-GACE guitar.Īccording to Doug, "It's balanced, bulletproof and has big bang-for-buck! It has a fast neck, fantastic fretwork, and a stellar sound plugged in or unplugged. Russell describes that it was love at first sight when he brought this beautiful guitar, but does admit he has a wandering eye. Sonia loves that the guitar lends itself well to all of her musical projects, as it sounds beautiful both in an ensemble and as a solo voice for her to sing along to. "I love this guitar’s size, aesthetics, tone and versatility – when I chose her in a music shop in late May 2020 I felt an immediate resonance and comfort while playing that I didn’t experience with any of the other guitars." Sonia plays a Grand Auditorium 214ce, Taylor guitar with a Venetian cutaway. Not only is great for live performances, but the Taylor guitar also produces a smooth and versatile sound that is great for recording. He loves this guitar due to the huge bass sound it produces. The reason why? He says he loves the resonance, tone and sustain. This Taylor guitar combines electric and acoustic pickups which allows Kim to swiftly switch between sounds.Īccording to Kim, it's an "amazing guitar to play and my go-to guitar out of the nine guitars I have". ![]() This beautiful instrument is the Taylor, 2009, Limited Fall Edition, with a maple back and sides with the Hawaiian Koa Wood as a binding. Gitbox Rebellion play Warkworth Town Hall on Sun 7 March, 4.00pm and The Civic Club on Sun 14 March, 4.00pm. We caught up with band members Nigel Gavin, Kim Halliday, Russell Hughes, Rob Mita, Sonia Wilson, Doug Robertson and Sam Loveridge, to meet their guitars and find out what makes them sound so incredible. Honouring the beautiful character of acoustic guitar, Gitbox Rebellion’s exuberant blend of jazz, rock, folk and classical will have you in sonic raptures. ![]()
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